The Bone Woman: A Forensic Anthropologist's Search for Truth in the Mass Graves of Rwanda, Bosnia, Croatia, and Kosovo

“The beauty and significance of Koff’s work and of her drive to do it come through most powerfully when she is crouching over a mass grave, untangling limbs, scraping dirt from a corpse’s clothes and finding, within what most of us would see as horror, something human that speaks. . . . Surprising, compelling, and worth reading.”
–The Washington Post Book World

“Only Koff herself can explain what happens in the heart when the living more >>

“The beauty and significance of Koff’s work and of her drive to do it come through most powerfully when she is crouching over a mass grave, untangling limbs, scraping dirt from a corpse’s clothes and finding, within what most of us would see as horror, something human that speaks. . . . Surprising, compelling, and worth reading.”
–The Washington Post Book World

“Only Koff herself can explain what happens in the heart when the living meet the dead. . . . [The Bone Woman relives] what a good many people cannot imagine ever enduring. . . . Koff’s seven ‘missions’ into fields of death erase all qualitative differences between horrors dreamed and horrors unearthed.”
–Los Angeles Times

Koff knows that bones talk, and she simply lets the bones she exhumes give testimony. . . . In descriptions free of sensationalism or sentimentality, [this] emotional distance givesThe Bone Womanits pared-down power.”
–MAUREEN CORRIGAN, NPR’sFresh Air

“A highly personal account written in an engaging [style] . . . An accomplished writer . . . Koff speaks of her work with an irrepressible enthusiasm, and the kind of conviction that she believes she was born to do the job.”
–The New York Times


“Every detail — the marbles in a dead boy's pocket — seems to tell the same story, of human suffering on a scale nearly too awful to contemplate. But with each Body that Koff can prove belonged to a non-combatant, it becomes easier to successfully prosecute charges of war crimes. Her work is the place where science, idealism and humanism most intersect.”
—The Independent on Sunday

“Thomas Keneally wrote about the awkwardness of "good" as a literary subject. It is harder to make interesting than evil ... but sometimes he concluded, you find yourself staring at good in the face and just have to recognise it. So it is withThe Bone Woman.”
—The Times(London)

“Her book — indeed, her life — is a testament to an idealism that shines through a grim, bloody reality.”
—The Glasgow Herald

“Part science, part expose, part personal narrative,The Bone Womanoffers a rare insight into both the role of a forensic anthropologist, and the role of the UN tribunal's forensic team ... Yet, for all its forensic detail, it is Koff's deep sense of connection to the bodies she came to exhume, her unflinching sense of obligation to them, and her willingness to look at what they represent, that rendersThe Bone Womancompelling reading.”
—Sunday Times(Perth)

“It is a highly personal account written in an engaging I-was-there-style ... she gives a sense of the survivors and the guilt and grief they live with ... an accomplished writer ...”
—Jane Perlez,The New York Times'Saturday Profile'

1. Koff uses the term "double vision" to describe how she views the bodies she excavates - she looks at them as both objects of scientific evidence and loved ones of grieving families and friends left behind. How does this double vision help Koff complete her work? At what points inThe Bone Womandoes she find herself unable to maintain a balance between the two views.

2. When exhuming bodies, Koff often makes careful note of waht they are wearing and the items they've retained, such as tax receipts, house keys, and identity cards. She states, "It wasn't until I had seen more ofthese artifacts that their significance dawned on me" (page 61). How do these artifacts help the anthropologists in their work? What conclusions can be drawn from them?

3. How did the bookWitnesses from the Gravelead Koff from her university studies in archae << less