Jules is a young man barely a century old. He's lived long enough to see the cure for death and the end of scarcity, to learn ten languages and compose three symphonies...and to realize his boyhood dream of taking up residence in Disney World.
Disney World! The greatest artistic achievement of the long-ago twentieth century. Now in the care of a network of volunteer "ad-hocs" who keep the classic attractions running as they always have, enhanced with only the smallest high-tech touches.
Now, though, it seems the "ad hocs" are under attack. A new group has taken over the Hall of the Presidents and is replacing its venerable audioanimatronics with new, immersive direct-to-brain interfaces that give guests the illusion of being Washington, Lincoln, and all the others. For Jules, this is an attack on the artistic purity of Disney World itself.
Worse: it appears this new group has had Jules killed. This upsets him. (It's only his fourth death and revival, after all.) Now it's war: war for the soul of the Magic Kingdom, a war of ever-shifting reputations, technical wizardry, and entirely unpredictable outcomes.
Bursting with cutting-edge speculation and human insight,
Down and Out in the Magic Kingdomreads like Neal Stephenson meets Nick Hornby: a coming-of-age romantic comedy and a kick-butt cybernetic tour de force.
"As much fun as Neal Stephenson's Snow Crash, and as packed with mind-bending ideas." -Tim O'Reilly
"
Down and Out in the Magic Kingdomis black-comedic sci-fi prophecy on the dangers of surrendering our consensual hallucination to the regime. Fun to read, but difficult to sleep afterwards." --Douglas Rushkoff, author of
Cyberiaand
Media Virus!
"Cory Doctorow is one of our best new writers: smart, daring, savvy, entertaining, ambitious, pluggedin, and as good a guide to the wired world of the twenty-first century that stretches out before us as you're going to find anywhere." --Gardner Dozois, editor,
Asimov's SFCory Doctorowcofounded the Internet search-engine company OpenCola.com and now works for the Electronic Frontier Foundation. His personal Web site is at http://www.craphound.com. His weblog Boing (boingboing.net), coedited with Mark Frauenfelder and David Pescovitz, is read by more than 130,000 unique visitors every month. In 2000, the World Science Fiction convention voted him the John W. Campbell Award for Best New Writer. He lives in San Francisco.
One My girlfriend was fifteen percent of my age, and I was old-fashioned enough that it bugged me. Her name was Lil, and she was second-generation Disney World, her parents being among the original ad-hocracy that took over the management of Liberty Square and Tom Sawyer Island. She was, quite literally, raised in Walt Disney World, and it showed.
It showed. She was neat and efficient in her every little thing, from her shining red hair to her careful accounting of each gear and cog in the animatronics that were in her charge. Her folks were in canopic jars in Kissimmee, deadheading for a few centuries.
On a muggy Wednesday, we dangled our feet over the edge of the Liberty Belle’s riverboat pier, watching the listless Confederate flag over Fort Langhorn on Tom Sawyer Island by moonlight. The Magic Kingdom was all closed up and every last guest had been chased out the gate underneath the Main Street train station, and we were able to breathe a heavy sigh of relief, shuck parts of our costumes, and relax together while the cicadas sang.
I was more than a century old, but there was still a kind of magic in having my arm around the warm, fine shoulders of a girl by moonlight, hidden from the hustle of the cleaning teams by the turnstiles, breathing the warm, moist air. Lil plumped her head against my shoulder and gave me a butterfly kiss under my jaw.
“Her name was McGill,” I sang
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